Luneta Advertising | Large Format Digital Printing in the Philippines

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Author: Luneta Ads Web


Manila, Philippines—As we close the Q2 of the 2019, there have already been some remarkable
and noteworthy executions delivered by OOH. As then foreseen last year by media experts,
despite the still growing digital ads, OOH is in no means, left behind.


Undeniably, the reach of OOH ranks top amongst other channels with a whopping 97%
followed by TV with 94%, Radio at 88%, and digital with 69%. This reach attest not only
to the inescapable nature of OOH—a truth that remains for everyone does go out of their
homes—but of how an OOH campaign adheres to frequency (the number of times an ad is seen)
and scale (an ad large/attractive enough not to miss). With the population of Metro Manila
following a daily routine of going to and from work, it’s almost a guarantee that a billboard
in EDSA is most likely to be seen five times a week by the same commuter. While the frequency
and recall is notable, this same ad must also be present in other locations (malls, waiting areas,
bus/train stations, etc.) so it could target everybody and maximize its potential reach.

The continuous growth of OOH alongside Digital is another expansion large businesses
are taking advantage of. With this new possibility of going both offline and online for the same
campaign births to new creative ideas that complete the consumer journey in a larger and yet
far more personal approach.


With digital companies like Spotify and Netflix investing
in out-of-home media, it creates a whole new dimension for creatives to penetrate the audience.
With these mobile apps’ essentially downward-view nature, its presence in OOH promotes the
upward—and shared—ad experience once again; that while OOH is the traditional medium,
when viewers veer away from the small screens of their tablets and phones to look at a
billboard ad, OOH becomes the new attraction altogether.

Then with the innovations of OOH—from LED Video Boards, Experiential Booths, Programmatic Ads,
and many others that capture consumer awareness and offer product trial/sampling—it merges
seamlessly with the digital applications that finish the narrative where consumers can further
engage via inquiry and importantly, purchase.


Evidently even in the context of the Philippines, OOH remains to be one of the go-to advertising
mediums. With 2.9B in the food and restaurant category alone and with a 10% increase
in overall revenues from Jan-Oct 2018, out-of-home is not going anywhere soon—and 2019 seem
all the more optimistic. Q1 alone found opportunities in the creative department (AYALA-LUNETA Lenticular Billboard AVP) while expansion and reach just opened up in the south via CAVITEX and with a few
more highways to be accessed soon.

Luneta Advertising is always one in ensuring the credibility, service, and effectivity of OOH.
With these promising data, clients can only expect our team to be even more hard working in
reaching a fruitful and lasting partnership.

Get inspired and learn more through these related articles:



Manila, Philippines—The ongoing construction of highways and other infrastructures in the
country promises swift interconnectedness of towns and cities by providing more viable routes
for travel. This development not only opens doors for traffic-less journeys and commute, but it
also highlights the progressing state of these places and the possible influx of opportunities for
its locals, whether going to-and-fro their home base. And such too for the adventurous many
who seek the unknown to discover new stories and landscapes.


With these breakthrough roads in mind serving as a fresh canvas, Cavite Expressway, or
CAVITEx, introduces a roster of out-of-home media placements strategically billeted all over the
expanse of the expressway, stretching from the boundaries of Pasay and Paranaque to the
gates of Kawit, Cavite. Featuring lampposts banners, toll plaza banners, toll booth wraps,
overbridge ads, boom ads, fence ads, and traditional billboards, CAVITEx not only becomes
the gateway to the south but now a backbone too for any brand’s OOH communication.

This OOH line-up provides avenues for clients to reach new audiences in places never been
explored and with executions they also probably never tried. With over 4 million vehicles
traversing the expressway each month—with mostly private cars (roughly 131,596 per
day)—brands can easily communicate their messaging without any unnecessary intrusions and
instead co-exist with the audience’s daily grind and commute.

The expressway stretches 14 kilometers, providing more than enough space for any inspired
and creative brand execution. Whether small or large, these roads are a blank slate ready to be
filled in order to catch the eye. And with the ever-expanding vision to connect the Southern
Luzon regions to Metro Manila, we can only expect more and more spaces available in the
south (via CALAEx, CTBEX, and C5 South Link)—and more and more commuters and locals to reach.

Interested? Give Luneta Advertising a call and inquire now!


Manila, Philippines—In this age where phones have increasingly become
an imperative part of every person’s life where access to entertainment,
information, and commerce is enclosed in the four corners of an LCD screen,
one has to wonder how can traditional media can keep up?

Like many others in the ad industry, OOH was heavily affected by the sudden
burst of digital ads and many even thought of its inevitable demise. But true
to its structure, strength, and stance, OOH remains to be unyielding despite
these so-called new “threats”. Importantly though, even the big names in
social media and digital streaming apps seem to think the same.


Mobile phones are quite literally the extension of someone’s life—from
contacts, interactions, to movies, series, and business, one doesn’t need to
go too far or too big to have it all and for years now, they have taken the bulk
of the most precious of times, whether for personal or for work-related
consumption. It is not surprising then
that advertisers turned towards the direction of digital to implement their creatives.
Simply, they need to be where the viewers are. But as digital becomes an inescapable
and normalized platform, its high time may now also be coming to an end.

With apps used on a one-on-one, literal down-view hardware, the notion of something
so traditional like OOH now becomes (ironically) foreign, new, and exciting despite its
quotidian circumstance. Whether experienced at passing (i.e. rounding shopping malls,
having long-mile road trips) or as a habit (i.e. the everyday commute, the city landscape),
going out and seeing OOH is still a way of life. It is there daily, its grandness and scale
looming over every person’s head—and they only need to look up to get so caught by it.

That in mind, this grandness and bigness of OOH, and then into the context of an app that
is so powerful, so personalized it is a data-collecting machinery, somewhere in that narrative
inevitably comes the need to make this seemingly individualistic and isolated entertainment
method resonate as a large, collective, relatable, and shared (branded) experience—considering
as well that advertisements, in the digital world of exit icons, close buttons, forced exits, and
curated content, is still a hard one to really digest.


Spotify’s Thank you, 2016. It’s Been Weird campaign is perhaps one of the most
well-known OOH campaigns produced by an-all digital platform. Using their own
brand of wit combined with the app’s consumer data, Spotify was able to bring out
the laughs using OOH in its simplest and truest form—printed visual and copy.
But why OOH as their major outlet? Spotify CMO Seth Farbman only has this to say,
(OOH) has the ability to really drive clever copy home that other media can’t always do as well.”

At this point in the digital ads and apps journey where evidently consumer data is
one of its main strengths, it is no longer surprising to see brands like Spotify, Netflix,
and Facebook then reach out to OOH for their advertisements in order to expose their
content and tools on a literally larger scale and in a setting still very much relevant to
their audience. Like how mobile devices are undeniably handy, people too, are still
undeniably outside. And when once brands just focus their campaigns solely on OOH or
TV or digital, today, the merging of two or more (if not all platforms applicable) is simply
the most practical way to go.

Progress and change is something that is not entirely terrible and terrifying. With a clear
and sensible perspective, advertising has just gotten really bigger, better, and definitely, real-time.





Manila, Philippines–with the still advancing visual technology (may it be VR, laser, widescreen,
or touchscreen), static designs and mediums like out-of-home and print ads may already seem
so insignificant nowadays. With this visual technology also present in personal mobile gadgets,
this visual digital movement is more rampant and relevant than ever. And the ones most allured
to these devices? The Millennials.

YOUTH (YO-OOH-TH). noun.

While it is true that millennials are the most tech-savvy generation hence the ones to benefit
from these technological upgrades, undeniably, they are also the ones always on the move.
They like to go out with friends, shop, go bar hopping, visit art fairs, attend concerts, festivals,
and many other trendy affairs. They are exposed to OOH almost every day as they are, literally,
also always out of home. By this time, their generation is also on the brink of moving out of their
parents’ house and move in to condos or units in the city where most OOH displays can be
According to a global research by Nielsen, 60% of millennials trust out-of-home
advertising—and it is reflective of their digital behavior as well. Most think that just because
millennials are always online that it meant digital ads is the only way to penetrate them. But
millennials are very careful when it comes to their social media or online activities. They want
control of the content they see. They want authenticity—branded and “unskippable” ads do not
belong in their carefully curated digital media feed. Their digital life IS their personal life—to
mess with it is an automatic click on the close button.

The Millennial generation is then the perfect market to witness a transformative period in the
industry where all mediums need to be more cohesive and helpful of one another.
The re-emergence of vinyl players, cassette tapes, and old gaming consoles are also a
testament of how this young generation crave the physicality (and nostalgia, for the Old
Millennials) of experience. The age bracket of the millennial generation is too broad a spectrum
to say that they never knew the concepts of analogs or cables. But they are the generation to
have experienced a huge technological shift that quickly buried these physical belongings in
favor of purchasing digital.
So that in itself, this digital life they have lived in for so long, compels them to see the allure of
the real life again. A clever, interactive OOH set-up gives them the flair of the dramatics in the
physical world (both in scale and experience) that they share it online to tell their friends and
This exposure to a good OOH campaign almost guarantees an online action amongst
millennials—more importantly, they chose to do it so on their own. According to a study by
Outsmart in the UK, there is a 147% increase in millennials’ mobile brand actions once exposed
to out-of-home executions.
Then with the emergence of Digital OOH, it all the more comes attractive to them when finally,
their two worlds collide—when their craving for the physical is met with the genius of digital. The
huge public exposure of OOH helps them display their personal brand choices, preferences,

and image—which they have carefully built online. Imagine a brand influencer on a billboard ad
together with some big shot celebrity? Imagine winning an online contest announced via a
billboard shout-out in EDSA?
This merger of digital and OOH also improves the millennials’ disposition and loyalty in the
landscape they live in. It is progressive and it is modern—just like them. OOH is a significant
variable in building the ideal ‘smart city’ they may want to choose to live in.


In another study by Outsmart UK, almost 63% percent of mobile users use ad blockers. It is a
significant number especially to newly launched brands. But with the scale and location of OOH,
every ad displayed on site will be noticed, creating a much needed brand awareness. This
awareness can then encourage mobile activity in order to know the brand or promo further via
visiting their official page or website.
This partnership of digital and OOH also strengthens brand trust amongst viewers as the
presence of both online and traditional ads in a campaign solidifies the brand as true, authentic,
and importantly, safe—for many can place online ads (some of which can be scams, bots,
viruses, etc.) but only a few can afford the luxury that is OOH.

With the ever-growing activation gimmicks—from QR codes to facial recognition—having OOH
in a digital campaign creates a wonder-filled consumer journey that heightens the digital
experience. A good example is the Spotify 2016 “It’s Been Weird” campaign. With the
abundance of their user data, they transformed these online behaviors into a collective,
relatable, public experience by producing billboard ads. This exposure grounds the digital
platform into the physical, daily lives of its users and good-naturedly “exposes” their online
behavior vis-a-vis the real-life struggles, joy, mishaps, etc. they—or the world—is experiencing.
To see digital and OOH as competition is a loss to an industry that could gain more through its
marriage. The merging of these two channels can fulfill a meatier and more meaningful
advertising experience via an impressive 360°campaign. OOH can increase brand awareness,
reach, and dramatics while digital can enhance brand knowledge, affinity, and even secure
sales and purchase.
Online and traditional ads can always be of support of each other. A great campaign always
starts with a good marketing strategy, then a great creative can be executed with proper media
buying—a selection process in which digital and OOH, in the beginning, must be in equal
footing before the creative strategy takes place. Because the beauty in advertising is that there
is more than one way to tell a great brand story.

We are very proud to share that the newest advertiser at the Napolcom Mega Walll Billboard is Red
Horse Beer. Massive in size at 188’ (H) x 100’ (w), its striking artwork with 3D effect CATCHES THE EYE.
Check out the day and night shots of the newly Red Horse Beer installed material.

Advertiser: Red Horse Beer
SIZE: 188’ (H) x 100’ (W)


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